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Friedrich Schorr
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Friedrich Schorr (September 2, 1888 – August 14, 1953), was a renowned - singer of origin. He later became a naturalized American.

Schorr was particularly famous for his profound portrayals of Wotan in Der Ring des Nibelungen and Hans Sachs in Die Meistersinger von Nürnberg. He was celebrated, too, for his appearances as Don Pizarro in 's .

His voice was powerful, steady, and rich-toned, with a beautiful mezza voce. He placed a special emphasis on maintaining a smooth, legato line in his singing, with no trace of . Towards the end of Schorr's career, his extreme top notes became somewhat 'wooden', however, as the result of many years of strenuous usage.


Biography
The son of a cantor () , who reportedly had a fine voice himself, Schorr was born in Nagyvarad. He studied in and with . He made his stage debut in , singing there in 1912-1916. Afterwards he worked in (1916–1918), (1918–1923), ( State Opera Unter den Linden, 1923–1931). He also made acclaimed appearances in at Covent Garden (1924–1931), at New York's Metropolitan Opera (1924–1943) and the Bayreuth Festival (1925–1933).

Schorr emigrated to the in 1931. He lived in New York City and performed regularly at the Metropolitan Opera until 1943. Some of the outstanding Wagnerian singers that he appeared with during his career included , , Elisabeth Rethberg, , , and . After his retirement from performance he worked as a director and gave concerts. He also taught singing privately. One of his students was . He died in Farmington, Connecticut.


Recordings
Schorr made a number of recordings both in Europe and America by both the acoustic and electrical processes. Although some of them, particularly those recorded in America, were produced after he had passed his artistic zenith, these records still prove Schorr's vocal strength and solidity, his clear diction, his excellent breathing, and the great emotional expressiveness of his interpretations. Most of his records are available on CD transfers issued by various companies, including a number of live operatic performances dating from the 1930s.

  • Kennedy, Michael (2006), The Oxford Dictionary of Music, 985 pages,
  • Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages,


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